All Contemporary Photos: Alan Mercer
Leona Williams was destined to become a Country Music Entertainer. She landed her first radio show at the age of 15, simply called "Leona Sings" in Jefferson City, Missouri. That journey would take her all over the world and allow her to sing before thousands and thousands of Country Music fans.
Leona moved to Nashville in the late 1960s from a small town in Missouri called Vienna, and was soon recording for Hickory Records with such hits as “Once More” and “Yes Ma'am, He Found Me In A Honky Tonk”. Since then, Leona has traveled worldwide and opened shows for some of country music's top entertainers and made numerous personal appearances at the Grand Ole Opry in Nashville.
Leona later teamed up with Merle Haggard for a top ten duet called “The Bull and the Beaver” and a duet album followed called ‘HEART TO HEART.’ During this time, she would write some of Merle’s biggest hits including ‘You Take Me For Granted’ and ‘Someday When Things Are Good.’ You can hear her harmony vocals on some of Merle's hits such as ‘The Way I Am’ ‘The Roots Of My Raising’ and ‘Big City.’ Leona has also teamed up with other artists on recordings such as Gene Watson's "Cold summer day in Georgia", Vince Gill's "Living the way I do", Jimmy Martin's "If teardrops were pennies", and George Jones'"Best Friends" among others. Leona recently released a "duets" album in 2009 which featured such artists as George Jones, Merle Haggard, Johnny Bush, Frankie Miller, Floyd Tillman, Ferlin Husky and others.
While spending the better part of the last decade headlining some of Branson's most successful shows, Leona continues to wow her fans in concerts across the nation and abroad. She recently returned from her 5th consecutive annual tour, entertaining thousands of country music fans from all over Europe.
Leona has had her songs recorded by some of Country music's most popular artists including George Jones, Moe Bandy, Randy Travis, Hank Thompson, The Forester Sisters, Tammy Wynette, Gene Watson, Merle Haggard, Loretta Lynn, Ray Price, Johnny Bush, Willie Nelson, Connie Smith and many others.
Leona, a Missouri native, was inducted into the Country Music Association of Texas Hall of Fame in 1999. She was also honored with the prestigious George D. Hay Award in 2002 and was also inducted into the Missouri Country Music Hall of Fame. In 2011, Leona was with the Entertainer of the Year award by R.O.P.E. (Reunion of Professional Entertainers). In 2012 Leona released her CD, "By George, It's Leona" paying homage to one of country music greatest voices, The Possum, George Jones.
Leona and her son Ron Williams Jr. tour together and always put on an amazing show. They travel regularly to Europe to perform in front of massive audiences who are hungry for their music. Whether in a recording studio, dance or concert hall or on stage at the Grand Ole' Opry, Leona Williams always gives her very best to her fans and her music. She definitely presents a special class to the world of Country Music.
Alan Mercer: Leona, I must start off by telling you that your San Quentin album is legendary. It’s really something else!
Leona Williams: It’s a unique album that many musicians want to copy because it has some of the best players. It’s amazing how good that album has done.
AM: How do you feel about it now as you look back on your career?
LW: It’s one of the highlights of my career. I was with Merle and the Strangers at the time. The album was Merle’s idea. He and Bonnie Owens had written a song called ‘San Quentin’ and he told me it would be a great idea for a girl to go to San Quentin and record a live album. I got to be that girl. Since it was Merle’s idea we went there and recorded the album. It turned out really good. MCA had it out for a while.
AM: I love the music inside of course, but I love the beautiful cover, and I love this gorgeous photo of you by Bruno of Hollywood with your hand by your mouth. It’s one of the most exquisite photos I’ve ever seen.
LW: (Laughing) Bruno of Hollywood was awesome. Back in the era that picture was made it was all about big hair. I was a beauty operator before I moved to Nashville and that was the style then. You’d put wiglets on top your real hair. It made your hair look big and pretty (Laughter) as they used to say.
Bruno of Hollywood
AM: I’m sure you’re asked all the time, and are probably getting ready to write a book, about your years with Merle Haggard.
LW: Yeah, I’ve thought about it but I haven’t done anything yet. Peggy Russell is a dear friend of mine and she wrote Merle’s first book called ‘Sing Me Back Home.’ Peggy had been writing some, but then she got breast cancer and slowed down quite a bit and I haven’t thought about it anymore.
AM: You’re too busy now anyway. You’re still working and traveling.
LW: I’m still playing my music and trying to keep my name out there and keep Country music going. It’s changed so much. I’m trying to keep the Country style that I like the best.
AM: You have plenty of fans who come see you everywhere you perform, right?
LW: I do, yes. I’m thankful I have lots of fans. I go overseas a lot. I’m going to Ireland again in November. Phil Mack has a TV Show that goes all over Europe and we are doing his show and headline at a big festival.
AM: I love how the European audiences keep you going.
LW: Yes, they keep your name out there. Sometimes I’ll go over there and they will say we’ve really been playing this particular song a lot, so make sure you sing that one in your show.
AM: So you really love your Irish fans!
LW: It’s amazing how nice those people are. Last year we did something that I had never heard of before. This organization asked if they could fly Ron and I to Dallas where we would meet up with 60 or 70 people from Ireland and get on a bus with them and ride around looking at all the Country Music sites in the area.
AM: Where were some of the places you went?
LW: We went to Southfork where they filmed the TV show ‘Dallas’ and out to the Stockyards in Fort Worth. Then we went over to East Texas in Carthage where they have a Country Music Hall of Fame. That place is awesome. Tex Ritter’s niece runs it. Those Irish people love our music ‘live’ and they love to hear about the history.
AM: Speaking of history, weren’t you a player in Loretta Lynn’s band?
LW: Yes, when I first started in the music business I played upright bass in Loretta’s first band. I met her when I was a beauty operator in St. Louis. She said, “If I ever make it, I’m gonna help you kids.” Ron Williams Sr. played drums and I played bass in that first band called The Blue Kentuckians.
AM: There is something really special about you Leona. You have a gentle and kind nature. You are naturally elegant as well.
LW: Thank you. I always use this term I learned from my Mom, who was the sweetest woman in the world. She would say, “I’m just as plain as an old shoe.” (Laughter) I always refer to myself that I am just regular. I ain’t nothing fancy.
AM: A regular person in the best way, but outstanding in most ways.
LW: (Giggling) Well, you’re so nice. Thank you.
AM: Just your talent alone…those songs you have written. How did it feel when artists first started recording them?
LW: I was so happy! The first person to record one of my songs was Loretta Lynn. I co-wrote it with Ron Williams Sr. and it’s called ‘Get Whatcha Got And Go’ and it’s on Loretta’s ‘Don’t Come Home A Drinkin’ album. Later Connie Smith had a top ten record I wrote called ‘Dallas.’
AM: You romanticized Dallas before the TV show. What inspired you to write that song?
LW: We had been in Texas when I wrote that song. I was with Hickory Records when we came through this area going to Tennessee. So, we were on the interstate and I just started singing, “Dallas I’ll be coming home to you.” I just started writing the song because I’d had such a great time in Texas. It’s about being lonely and hating to leave. Merle loved that song and he was so proud of me. When I first got with him that song was a hit. He got to see my first royalty check for that song.
AM: You have a song about Ireland too that I love.
LW: I have a song that I wrote with a friend of mine over there called ‘I Cry Every Time I Leave Ireland’ and that’s how I really feel.
AM: You have an album that I love titled ‘Honorary Texan’ and you are an honorary Texan! What do you appreciate about the state?
LW: I do appreciate Texas. I’m down here a lot. All the people treat me good. I can’t say enough good about it.
AM: You sing several songs about Texas so you show your love like that.
LW: It’s funny because I open my shows with a song Merle and I wrote called ‘Don’t Sing Me No Songs About Texas’ and the lyric goes, “because that’s where my heart is tonight.” Then I sing ‘Dallas’ and then I sing that old blues song called, ‘I Walked From Dallas Clear Down To Wichita Falls’ (Laughter)
AM: It seems people would think you are from here.
LW: I’ve had, no telling, how many people that have asked me if I was from Texas originally. I always say, “No, but I got there as quick as I could.”
AM: I have to tell you how much I adore your song, ‘Yes Ma’am, He Found Me In A Honkey Tonk.’
LW: That’s a good little Texas type song.
AM: You have an honest women’s rights kind of a feeling in your songs.
LW: I think I write songs that women like to hear, like the one I wrote for Merle called, ‘You Take Me For Granted.’ I have also recorded it and lots of other people have recorded it as well. You wouldn’t believe all the letters I get from women that say, “Golly, you’ve said it. You’re the one who said what we think.” I just said what I was thinking at the time. Then I wrote ‘Someday When Things Are Good I’m Gonna Leave You.’ I had to write that song because of a situation I was in.
AM: Have you stayed true to real life circumstances for your inspiration?
LW: Yes, it’s whatever I was going through at the time. Some are contrived with just made up stuff or it’s a song based on a good little line. About three years ago I did a Bluegrass album and I got some of my friends like Vince Gill, Pam Tillis and the Whites to come sing with me. Now, just recently I recorded an album with a group from Missouri called The Bluegrass Martins. They are a family of great musicians.
AM: Is this album out yet?
LW: No, not the whole thing but years ago after I had been overseas on a tour, I wrote a song called ‘Stand Up For America.’ I had my first record out then. I was in Taipei, Taiwan entertaining the service men.
AM: Wow, I didn’t know you were ever over there.
LW: I toured over there for nine weeks. When I got back home I was so glad to be home and I was so appreciative of our country, so that’s when I wrote ‘Stand Up For America.’ Recently I thought about it and I wanted to record it again so I did.
AM: I’m so grateful you are recording your kind of Country music.
LW: When I was in Ireland they asked me what happened to Country music? They told me they have taken the living room out of Country music. I said, ‘They took the front porch too.” We used to sit out on the porch and play when I was a kid growing up.
AM: Do you come from a musical family?
LW: Yes, my dad played the fiddle and my mom played the piano as a young girl and she could play the claw hammer style banjo. We grew up with that. Mom used to say, “Now Leona, sing as loud as you can and then you can learn to control it.” I still sing loud…and sometimes control it. (Laughter)
AM: I love your tribute albums to Merle Haggard and George Jones. Do you have plans for any other tributes?
LW: Thank you, I thought about doing a tribute to Kitty Wells. When I was a little kid I loved Kitty Wells. Remember there are twelve kids. I have seven brothers and four sisters.
AM: Where do you fall in?
LW: I’m nine from the oldest and fourth from the youngest. I used to tell my mom I didn’t know why I wasn’t born in Tennessee and been Kitty Well’s little girl. (Laughter) I had the best mom in the world and she thought it was cute. My parents were so supportive.
AM: They must have been proud when you scored a record contract?
LW: They were. I grew up in a wonderful family with lots of love. I got a song that says ‘Love is nearly all we had, somehow we got by, and for things they couldn’t give us, I’ve seen my mama cry. We learned to work for more in life and how to do with less.” I recorded this song in Bluegrass style with The Whites.
AM: It’s so obvious why someone like Merle Haggard was so enamored with you.
LW: He was a good-looking guy and a great writer.
AM: You were both so good looking together.
LW: People used to say we looked like brother and sister.
AM: You do.
LW: We had a lot of fun. I was with Merle for nine years. There’s lots of things I can say about it and some things I can’t. I loved Merle better than anybody but you know like my song says, “Sometimes love doesn’t stay around forever.” I loved him but you can’t make it work if it won’t. It takes two to make it work.
AM: Well I hope you keep recording. Your voice is strong and youthful.
LW: That’s what everybody tells me. I’m not young anymore but I don’t feel any different. I’m thankful to the good Lord because if you don’t have him, you don’t have anything.
To learn more about Leona Williams visit her web site http://www.leonawilliams.com/